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You may want to plot the entire sheet set with one page setup, rather than use page setups that came with individual layouts You save these page setups in a template Click this item, click the Ellipsis button that appears, choose a template, and click Open You can create this template later and then go back and specify it Project control: This new feature provides a location to enter project information, including a project number, name, phase, and milestone This information then appears in the Details section of the Sheet List tab of the Sheet Set Manager Sheet storage creation: This folder defines where sheets are stored If you didn t specify this location when you created the sheet set, click this item, click the Ellipsis button, choose a folder, and click Open.

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Note that if the sheet set already contains sheets, changing this location doesn t move existing sheets; it only affects the location of new sheets that you create Sheet creation template: Click this item and then the Ellipsis button Then click the Ellipsis button in the Select Layout as Sheet Template dialog box Choose a template (or a drawing or standards file) and click Open You can then click a layout in the template Click OK..

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Example 43 Figure 7.7 gives average throughput per user us. dropping probability. RNCBS gives the highest throughput under the same dropping probability while R A N D being the worst. The better performance of RNCBS is due to the interference avoidance scheme used b y the R N C algorithm as well as the trafic diversity gain captured b y the B S algorithm. Note that the difference between RNCBS and R N C is much greater than the difference between RANDBS and RAND. This is explained b y the fact that the B S in RNCBS performs the B S algorithm and re-assigns channels based on users' trafic and channel conditions, while the B S in RANDBS only re-assigns channels randomly. In other words, the gap between R A N D and RANDBS quantifies partial T D gain, while the gap between RNCBS and R N C quantifies TD gain as well as part of the fast fading diversity gain.

Figure 4.16. Quadropole mass analyzer. Varying the radiofrequency (RF) component of voltage allows tuning for speci c m/z ratios. Ions with either larger or smaller m/z collide with rods and are lost.

Figure 12-28: Here are the three styles of grid with the Grid Preferences options shown at the bottom.

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If you choose to use the Snap feature, when you move elements around with the arrow keys, the objects jump the distance between grid lines. You can over-ride this and move the object one pixel at a time by pressing Option (Mac) or Ctrl+Alt (Windows) as you use the arrow keys.

You can select a brush for the background eraser in the Brush drop-down palette on the Options bar. In Photoshop 6, you can press the arrow keys to move from one brush icon to another in the palette. Pressing the bracket keys, [ and ], lowers and raises the brush size by 10 pixels for brushes smaller than 100 pixels in diameter, by 25 pixels for brushes from 100 pixels to 199 pixels in diameter, and by 50 pixels for brushes 200 pixels and larger. If you simply want to switch from a hard brush to a soft one, press Shift-left bracket; press Shift-right bracket to go from a soft brush to a hard one. You can also modify the performance of the background eraser using the Options bar controls, pictured in Figure 7-33. These options are a bit intimidating at first, but they re actually pretty easy to use: Limits: Choose Contiguous from this pop-up menu, and the background eraser deletes colors inside the cursor as long as they are contiguous with the color immediately under the cross. To erase all similarly colored pixels, whether contiguous or not, select Discontiguous. One additional option, Find Edges, searches for edges as you brush and emphasizes them. Although interesting, Find Edges has a habit of producing halos and is rarely useful. Tolerance: Raise the Tolerance value to erase more colors at a time; lower the value to erase fewer colors. Low Tolerance values are useful for erasing around tight and delicate details, such as hair.